Indipendent audio
post-production studio
Gradisca film recording is an independent audio post-production studio.
Our mission is to match the right sound to images. We specialise in dialogue editing, cleaning production sound, sound efx and backgrounds creation, foley, sound and music editing, sound design and soundtrack mixing for feature film, documentaries, advertising and other audiovisual works. We produce international soundtracks, essential to movie releases in other languages, and we print audio with ad hoc mixing for every platform.
Sound is something that we like to think and imagine first, then create it and build it. For this reason we offer creative consultancy and support with the writing process, helping movie authors to imagine the scene from the sound.
Hosting conferences and creative meetings on movie sound and its use in the audiovisual and multimedia fields.
Gradisca is a word of courtesy.
It has a pleasant sound and smells of cinema, creativity, invention and fiction. It’s sexy!
Our mission is to match the right sound to images. We specialise in dialogue editing, cleaning production sound, sound efx and backgrounds creation, foley, sound and music editing, sound design and soundtrack mixing for feature film, documentaries, advertising and other audiovisual works. We produce international soundtracks, essential to movie releases in other languages, and we print audio with ad hoc mixing for every platform.
Sound is something that we like to think and imagine first, then create it and build it. For this reason we offer creative consultancy and support with the writing process, helping movie authors to imagine the scene from the sound.
Hosting conferences and creative meetings on movie sound and its use in the audiovisual and multimedia fields.
Gradisca is a word of courtesy.
It has a pleasant sound and smells of cinema, creativity, invention and fiction. It’s sexy!
A quiet place in the country
Via Palmanova 21/A
33050 San Vito al Torre UD
+39 320 16 53 423
recording @ gradisca.eu
Every movie has a sound-style, just like it has a visual style and a big part of my job is to work with the director to figure out what that sound-style is.
audio editing
(dialogue, backgrounds and sound effects)
music editing
sound design
foley
re-recording mixer
(5.1 and multichannel mixing)
loudness compliance
(dialogue, backgrounds and sound effects)
music editing
sound design
foley
re-recording mixer
(5.1 and multichannel mixing)
loudness compliance
location sound
field recording
(stereo and ambisonics)
spatial audio design
(VR)
game audio design and implementation
voice over
audio branding
field recording
(stereo and ambisonics)
spatial audio design
(VR)
game audio design and implementation
voice over
audio branding
See full list audio equipment
Samples
Selected filmography
FANGO ROSSO by Alberto Diana, Slingshot film
sound design + re-recording mixer
IN UN FUTURO APRILE by Francesco Costabile e Federico Savonitto, Altreforme
sound design + re-recording mixer
CREATURA DOVE VAI? by Gaia Formenti e Marco Piccarreda
sound design
HISTORY OF LOVE by Sonja Prosenc, Nefertiti film
sound editor
IL PIÙ GRANDE SOGNO by Michele Vannucci, Kino Produzioni
sound editor + music editor
PERSEFONE by Grazia Tricarico, CSC Production
soundtrack
ALBERI by Michelangelo Frammartino, Vivo Film
assistant sound design
MICHELE NELLA TERRA by Grazia Tricarico, CSC Production
soundtrack
See full list filmography
Co-workers
Eric Guerrino Nardin, born in 1984, studied Musicology at the University of Udine and a Master Degree in Sound Engineering at Centro Sperimentale di Cinematografia in Rome.
Skills: re-recording mixer (5.1 and multichannel mixing), music editing, sound design, audio editing (dialogue, backgrounds and sound effects), field recording, loudness compliance.
Skills: re-recording mixer (5.1 and multichannel mixing), music editing, sound design, audio editing (dialogue, backgrounds and sound effects), field recording, loudness compliance.
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Massimiliano Borghesi, born in 1983, studied Psychology at University of Trieste, and also a Master in Sound Design at Leeds Beckett University, UK.
Skills: location sound, binaural and ambisonics recording and mix, sound design, foley, spatial audio design, sound editing, game audio design and implementation, VR audio, voice over, audio branding.
Skills: location sound, binaural and ambisonics recording and mix, sound design, foley, spatial audio design, sound editing, game audio design and implementation, VR audio, voice over, audio branding.
3 reasons to choose us
With the same budget, we will dedicate more time to your project. When you take a break out the studio, you will find the serenity of a country garden. This will allow you to create a sound made of ideas and not only technicalities.
Ritorna alla versione in italiano!